[Non]Sense is a long-form generative artwork where words are chosen not for meaning, but for their physical dimensions – height and width – fitting into a strict visual frame. The system disregards semantics entirely; what appears is shaped by geometry, not language.
Yet at times, through coincidence or structure, the assembled words resemble a phrase. Syntax seems to form. Meaning seems to emerge. The viewer is left questioning: is this coherence real, or is it something we bring to it?
The work operates in this unstable space between nonsense and recognition. It asks whether constraints alone – purely spatial – can produce meaning, or whether meaning is always a projection from the outside.